Wednesday, April 16, 2014

Getting a grip with musicality - the most vague and insightful part of dancing

Musicality is to me one of the most important aspects of dancing. The best dance partners are gifted in many respects; technique, style, connection and they are overall great people. Musicality is one important trait among those, it helps an otherwise good dancer rise to an extraordinary dancer. And for me it's the thing that makes the magic happen on the dance floor.

In the words of ballet teacher Deborah Wingert. “Musical dancers don’t just turn until they stop. They turn until they have to move on to the next point in the music. Musical dancers never get so caught up in steps that they ignore the music.”


Theories on musicality


Musicality - no matter how important it is to me - is something that I've always struggled to really explain or quantify. Even some of the definitions I've come across are extremely vague, such as this by choreographer Wade Robson: “Musicality is understanding music on a technical level, and then dropping all of that knowledge so you can sit deep inside the music. It’s dancing inside the music, as opposed to floating on top of it.”

Well, how is dancing "inside" the music more musical than "floating" on it?? Or if your dance teacher tells you to increase pace or make a movement bigger it is usually quite clear, but if he or she would tell you to increase musicality, what do you do?







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1 comment:

  1. Brillant. Very insightful,putting things in perceptive.

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